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Artikel mit dem Stichwort ‘Final Fantasy X’

The Girl Who Leapt Through Time (Toki o kakeru shōjo) Part 6: Return, Reset and Finding That Person Again

Freitag, 25. Oktober, 2013

Spoiler warning! This article contains spoilers for Chrono Cross, Persona 2 Innocent Sin, Final Fantasy X, its sequel X-2 and Lost Odyssey.

With his movie ŌBAYASHI made the connection between The Girl Who Leapt Through Time and The Wizard of Oz. This children’s book classic represents a number of similar youth novels in which a protagonist from the real world travels to an unreal fantasy world. TAKAHASHI mentioned Narnia in his text on Mother; there is also Alice in Wonderland which comes to mind, or The Never Ending Story. This last example is interesting as the fantastic world traveled to is actually the narrative of a book, which emphasizes the common theme in these novels: The reader is supposed to identify with the real life protagonist and his journey to the strange world is actually the reading of the story. When the story ends, the protagonist returns to the real world.

Now let’s compare this to The Girl Who Leapt Through Time. Here instead of one (or few) real person(s) traveling from reality into the fantastic, one person from a fantastic future comes into reality. He does return but to make the fantastic disappear his influence has to be undone, so in place of a return for Kazuko there is a reset. Kazuko never leaves reality, cannot return in a spatial sense, instead she returns to an earlier point in reality, before the fantastic occurred.

Fushigi Yūgi

The cover of volume 14 of Fushigi Yūgi by WATASE Yū. It shows heroine Miaka and her lover Taka/Tamahome in the background.

The movie version of Oz has the same actors who play the characters in the world of Oz also play the people from Dorothy’s reality in Kansas. This indicates that fiction is based on reality, that the made up characters are reflections of people that live in reality. In Fushigi Yūgi, a manga for girls from the 1990ies, after going on an adventure by being sucked into a book that tells of a fantastic ancient China the story doesn’t end with the return to the real life setting. Instead there are several volumes dealing with a guy resembling the love interest from the fantastic part transferring to the school of the female protagonist and them falling in love again.

It is a more pronounced version of Kazuko meeting Kazuo again, minus the reset. Fushigi Yūgi’s Miaka doesn’t forget her Tamahome, instead she returns from the fantasy and meets his reincarnation Taka. I have talked about how The Girl Who Leapt Through Time influenced Final Fantasy in part 3 and how another video game, Mother, fits in with the same themes present in The Girl Who Leapt Through Time in part 4. There are more video games that share themes from it and I will give two examples that use the “reset and finding a person from the fantastic adventure again in reality” motif. Both came out for the Playstation and after Final Fantasy VII.

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The Girl Who Leapt Through Time (Toki o kakeru shōjo) Part 3: The Influence on Final Fantasy

Freitag, 27. September, 2013

I mentioned at the beginning of the first part that Final Fantasy VII was inspired by The Girl Who Leapt Through Time. Let’s take a closer look at what writer NOJIMA Kazushige had to say about that connection and how the game actually draws upon this source work.

Final Fantasy director and producer KITASE Yoshinori repeatedly said in various interviews that he thinks former director and producer SAKAGUCHI chose NOJIMA to write FFVII because of his critical acclaimed work on Glory of Heracles 3. He also said he wanted NOJIMA to make FFVII as mysterious and surprising as that game.

Asked by Famitsū about how Glory of Heracles influenced FFVII, NOJIMA mentions The Girl Who Leapt Through time as another influence on FFVII. From the Famitsū interview from issue 1224, 2012 5/31:

Famitsū issue 1224, 2012 5/31 page 58

About the Influence of The Girl Who Leapt Through Time

Famitsū: Did you want to make FFVII into a mysterious story like the ones in the Glory of Heracles series, which you wrote before you came to Square?
NOJIMA: Even before I could decide something like that KITASE-san had already asked me to write it that way (laughs). Even though it’s a pretty straight forward story I guess you could say it uses mysterious imagery. With this as the base plot I added ideas from the database server [into which the other staff members uploaded their suggestions]. Speaking about these ideas, since the team was reading my half finished scenario they kept adding new settings and drawings so we were influencing each other during the writing process.
Famitsū: What kind of ideas did you use?

Famitsū issue 1224, 2012 5/31 page 58NOJIMA: Someone posted a setting about „mysterious men in black coats“, which I turned into the Sephiroth clones. I also borrowed imagery from movies. I especially took inspiration from The Girl Who Leapt Through Time starring HARADA Tomoyo. With FFVII, I wanted to recreate the impression of a „mysterious story“ you get from watching that movie. Of course I didn’t just completely copy lines and settings one to one. I simply borrowed phrases like „To the lab room on Saturday“ from the movie and using it as a motif turned it into „To the makō reactor 7 years ago“. …but no one seemed to notice that (laughs).

If you read the previous installments you of course know that going back to the lab room on Saturday, where it all started, going back to the root of the problem, or the Crisis Core in Final Fantasy VII terms, is what resolves the mystery of the story by TSUTSUI. The longer scene in FFVII in which the adapted quote comes up serves a very similar function and I want to revisit this scene to show how NOJIMA adapted motifs from TSUTSUI’s and ŌBAYASHI’s original works. Spoiler warning!

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Himmelskörper im elektronischen Bildungsroman, Teil 3: Die Sonne als männliches Heldenideal

Samstag, 12. Juni, 2010

Vorsicht: Dieser Artikel enthält Spoiler zu Final Fantasy VII, Final Fantasy X und X-2! Die Fußnoten enthalten Spoiler zu Persona 2 Innocent Sin und Eternal Punishment!

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